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SEGL TV - The Fools of Shakespeare - Shared screen with speaker view
Noah Bopp
25:49
Is the Baz Luhrmann version of R&J better than the Olivia Hussey version?
Mia Felt
26:26
I played Mercutio in a rap/hip-hop version of Romeo and Juliet, and this monologue was spoken at an ecstasy-fueled rave!
Mary
26:27
Michael York
Mary
26:44
York was in it but not the Mercutio
Mary
27:05
cool, Mia!
Mary
27:42
ACt 2, scene 7
Noah Bopp
28:09
As for me tomorrow and you shall find me a grave man.
Mary
47:09
All the world’s a stage,And all the men and women merely players;They have their exits and their entrances;And one man in his time plays many parts,His acts being seven ages. At first the infant,Mewling and puking in the nurse’s arms;And then the whining school-boy, with his satchelAnd shining morning face, creeping like snailUnwillingly to school. And then the lover,Sighing like furnace, with a woeful balladMade to his mistress’ eyebrow. Then a soldier,Full of strange oaths, and bearded like the pard,Jealous in honour, sudden and quick in quarrel,Seeking the bubble reputationEven in the cannon’s mouth. And then the justice,In fair round belly with good capon lin’d,With eyes severe and beard of formal cut,Full of wise saws and modern instances;And so he plays his part. The sixth age shiftsInto the lean and slipper’d pantaloon,With spectacles on nose and pouch on side;His youthful hose, well sav’d, a world too wideFor his shrunk shank; and his big manly voice,
Charlotte Jones
47:55
Thou seest we are not all alone unhappy:This wide and universal theatrePresents more woeful pageants than the sceneWherein we play in.
Mia Felt
51:50
marry me katherine
Noah Bopp
52:04
You should be saying KISS ME KATE
Manavi Sinha
52:22
no typing in the chat while they r performing!
Mia Felt
52:38
best beware my sting noah bopp
Katherine Cassese
52:43
This is a reference I do not understand, Noah
Katherine Cassese
53:04
Yes, mia
Mary
54:40
wonderful acting, both groups!
Charlotte Jones
01:12:47
https://www.nytimes.com/1973/12/03/archives/theater-troilus-at-newhouse-is-a-discredit-to-bard.html?searchResultPosition=6
Haitong Du
01:13:14
The longest three hours in New York City are currently being provided by the New York Shakespeare Festival at the freshly named Mitzi E. Newhouse Theater (formerly the Forum) at Lincoln Center. The three hours are called “Troilus and Cressida,” and rarely can Shakespeare have been less festive than in this excruciating travesty.I must be careful not to make this “Troilus” sound controversial when it is merely inept, original when it is merely sophomoric, brave when it is merely foolhardy. It is tedious beyond words.The play has been staged with a total cast of 12 actors, most of them doing double duty. It seems a skimpy way to stage Shakespeare, but not only could you hardly get more actors comfortably onto the small Newhouse stage, but also the tiny auditorium makes large, full‐scale Shakespearean casts economically not viable. So this will have to be chamber Shakespeare, a limitation that might prove challenging.The Shakespeare Festival is to give us three Shakepeare plays here between now and the end
Mary
01:24:30
Thanks, everyone